From gold-ground altarpieces to oil paint and perspective: two centuries in which painters in Florence, Venice, Bruges and Nuremberg learned to make a flat panel look like a window onto the world.
Saint George and the Dragon — Bernat Martorell (died 1452), 1434–35, Tempera on panel Original: The Art Institute of Chicago
Portrait of a Young Man — Dosso Dossi (1490–1541), c. 1530, oil and gold on wood Original: The Cleveland Museum of Art
Hunting near Hartenfels Castle — Lucas Cranach (1472–1553), 1540, oil, originally on wood, transferred to masonite Original: The Cleveland Museum of Art
The Beheading of Saint John the Baptist — Giovanni di Paolo (1398–1482), 1455–60, Tempera on panel Original: The Art Institute of Chicago
Diptych of the Virgin and Child Enthroned and the Crucifixion — Eastern Mediterranean, c. 1280, Tempera on panel Original: The Art Institute of Chicago
Scenes from the Life of Saint John the Baptist — Bartolomeo di Giovanni (1465–1501), 1490/95, Tempera on panel (poplar) Original: The Art Institute of Chicago
Madonna and Child in a Niche — Antonio del Ceraiolo, c. 1520s, oil on wood Original: The Cleveland Museum of Art
Portrait of a Man, Possibly Girolamo Rosati — Lorenzo Lotto (1480–1556), 1533–34, oil on canvas Original: The Cleveland Museum of Art
The Adoration of the Christ Child — Jacob Cornelisz. van Oostsanen (1465–1533), c. 1515, Oil on panel Original: The Art Institute of Chicago
Alessandro de' Medici — Pontormo, (Jacopo Carrucci) (1494–1557), 1534–35, Oil on panel Original: The Art Institute of Chicago
The Holy Family with Mary Magdalen — El Greco (1541–1614), c. 1590–95, oil on canvas Original: The Cleveland Museum of Art
The Golden Age — The seventeenth century: Caravaggio’s darkness and light, Rubens’s energy, Velázquez in Madrid, and in the Dutch…
Enlightenment & Revolution — Rococo pleasure gardens, then the cool lines of Neoclassicism, then revolution. The eighteenth century painted…
Where the works come from
Every work in the Mouseion is a real piece, out of copyright everywhere, shown from the open collections of the museums that hold it — each label names the original’s museum and links to its page there.