The Mouseion’s exhibition hall. A new exhibition opens on the first of every month, drawn from museum collections around the world and built around one idea.
The Demon Shutendoji, from the album Yamato Irotake — Okumura Masanobu (1686–1764), 1705-8, Woodblock print; sumizuri-e, ōban Original: The Art Institute of Chicago
Ichikawa Danjūrō VII as Watanabe no Tsuna and Segawa Kikunojō V as the Female Demon, in “Modori Bridge” (Modoribashi) — Utagawa Kunisada I (Toyokuni III) (1786–1864), 1833, Color woodblock print; surimono Original: The Art Institute of Chicago
Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana" — c. 1760–65, Gum tempera, ink, and gold on paper Original: The Cleveland Museum of Art
Jatayu approaches Rama and Lakshmana who are wondering where Sita could be, folio 18 (verso) from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand — 1744–45, Gum tempera, ink, and gold on paper Original: The Cleveland Museum of Art
Sketch of Ibaraki-dōji — Shibata Zeshin (1807–1891), c. 1840, hanging scroll, ink on paper Original: The Cleveland Museum of Art
Tiered Court Scene — Chitarman II (1680–1750), c. 1735, Gum tempera, ink, and gold on paper Original: The Cleveland Museum of Art
The Passion: Christ in Limbo — Martin Schongauer (1450–1491), c. 1480, engraving Original: The Cleveland Museum of Art
King Bana in his court, from an Usha-Aniruddha — c. 1760–70, Gum tempera and ink on paper Original: The Cleveland Museum of Art
Martin Vanden Bogaert Desjardins — Gérard Edelinck (1659–1743), n.d., Engraving and etching on cream wove paper Original: The Art Institute of Chicago
Krishna Quells the Serpent Kaliya, from a Bhagavata Purana — c. 1710, gum tempera and gold on paper Original: The Cleveland Museum of Art
Shurpanakha demands vengeance, from the "Shangri" Ramayana — c. 1700, Gum tempera, ink, and gold on paper Original: The Cleveland Museum of Art
The Lantern Night Excursion of Zhong Kui — Yan Hui (1245–1315), late 1200s–early 1300s, handscroll; ink and slight color on silk Original: The Cleveland Museum of Art
Album of Daoist and Buddhist Themes: Search the Mountain: Leaf 49 — 1200s, Album; ink on paper Original: The Cleveland Museum of Art
Remembrance of Italy — Jean Baptiste Camille Corot (1801–1900), c. 1866, Etching on tan laid paper Original: The Art Institute of Chicago
Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) — c. 1725, Gum tempera, gold, and silver on paper Original: The Cleveland Museum of Art
Demon in chains — Muhammad Siya Qalam, c. 1453, opaque watercolor and gold on paper Original: The Cleveland Museum of Art
May: Shoki the Demon Queller Riding on a Tiger, Subjugating Goblins, from the series "Of the Twelve Months: the Fifth (Junikagetsu no uchi: gogatsu)" — Kawanabe Kyôsai (1831–1889), 1887, Color woodblock prints; oban triptych Original: The Art Institute of Chicago
Pradyumna Enters the Palace of the Demon Sambar and Challenges him to Battle, page from a Dispersed Bhagavata Purana manuscript — c. 1775, Opaque watercolor on paper Original: The Art Institute of Chicago
Actor Ichikawa Danzô III as Shôki the Demon-Queller in “Dandyish Design: Lightning Amid Clouds” (“Date moyô kumo ni imazuma”) — Katsukawa Shunsho (1726–1792), About 1768, Color woodblock print; hosoban Original: The Art Institute of Chicago
The actor Yamanaka Heikuro I as a demon — Torii Kiyonobu I (1664–1729), c. 1706, Woodblock print; hosoban, sumizuri-e Original: The Art Institute of Chicago
Raiko (Minamoto no Yorimitsu) and the demon kite — Totoya Hokkei (1780–1850), c. 1825, Color woodblock print; shikishiban surimono Original: The Art Institute of Chicago
The Warrior Ômori Hikoshichi Carrying a Demon on His Back — Katsukawa Shunsho (1726–1792), About 1772, Color woodblock print; chûban Original: The Art Institute of Chicago
Gamo Sadahide's Servant, Toki Motosada, Hurling a Demon King to the Ground at Mount Inahana, from the series "New Forms of Thirty-Six Ghosts (Shinkei sanjuroku kaisen)" — Tsukioka Yoshitoshi (1839–1892), 1890, Color woodblock print Original: The Art Institute of Chicago
The Goddess Annihilates the Demon Raktabija, from a Devi-Mahatmya — c. 1640, gum tempera, ink, and gold on paper Original: The Cleveland Museum of Art
Otafuku Throwing Black Beans to Chase Away the Demons on New Year's Eve (Senmen Otafuku zu) — Tōshūsai Sharaku, 1794/95, Fan print, stencil-printed color on paper Original: The Art Institute of Chicago
Armored Guardian King (Tianwang) Trampling Demon — Tang dynasty (618–907 A.D.), first half of 8th century, Earthenware with three color (sancai) lead glazes and traces of pigments Original: The Art Institute of Chicago
Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini) — 6th century, Sandstone Original: The Art Institute of Chicago
Goddess Durga Slaying the Buffalo Demon — 9th century, Bronze inlaid with silver Original: The Art Institute of Chicago
Armored Guardian King (Tianwang) Trampling Demon — Tang dynasty (618–907), first half of 8th century, Earthenware with three-color (sancai) lead glazes Original: The Art Institute of Chicago
More of The Hall
Room of Icons — Twelve of the most famous pictures in the world, which in life hang in a dozen cities on three continents, here on…
Where the works come from
Every work in the Mouseion is a real piece, out of copyright everywhere, shown from the open collections of the museums that hold it — each label names the original’s museum and links to its page there.