Textiles, ceramics, gold, ivory, and works for the court and the household from across Africa and the Pacific. We show only objects made to be seen. Sacred objects, and objects whose communities ask that they not be displayed, are left out on purpose.
Wall painting of the Virgin and Child with donors — Northern Highlands artist, ca. 1800, Pigment over gesso on canvas Original: The Metropolitan Museum of Art, New York
Pendant Icon with St. George and the Virgin and Child Enthroned — Northern or Central Highlands artist, 18th century, Wood, pigment, metal hinge Original: The Metropolitan Museum of Art, New York
Diptych with Twelve Apostles & St. Paul — Workshop or Circle of Wäldä Maryam, c. 1700, Tempera, wood, textile Original: The Cleveland Museum of Art
Icon triptych of Ewosṭatewos and eight of his disciples — Northern Highlands artist, late 17th century, Wood, tempera, cord Original: The Metropolitan Museum of Art, New York
Royal ceremonial beadwork: breast cover (incebetha) — 1800s, Glass beads, hide, and sinew Original: The Cleveland Museum of Art
Book of the Gospels — Northern Highlands artist, late 14th–early 15th century, Parchment (vellum), acacia wood, tempera, ink Original: The Metropolitan Museum of Art, New York
Arganonä Maryam (The Organ of Mary) prayer book — Baselyos, also known as "The Ground Hornbill Master" (1650–1700), late 17th century, Parchment, pigment ink, wood, leather, fiber Original: The Metropolitan Museum of Art, New York
Prayer book with case (mahdar) — Wäldä Maryam, early-mid 19th century, Parchment (vellum), pigment (red, blue, ochre, and black), leather, wood, string Original: The Metropolitan Museum of Art, New York
Prestige stool (Kuo fo) — possibly 1800s, Wood, cotton, plant fiber, glass beads, and indigo Original: The Cleveland Museum of Art
More of Africa, Oceania & the Americas
The Ancient Americas — Olmec jade, Maya painted vessels, Andean textiles and gold, and the ceramics of the peoples of the Americas before…
Where the works come from
Every work in the Mouseion is a real piece, out of copyright everywhere, shown from the open collections of the museums that hold it — each label names the original’s museum and links to its page there.