The Mouseion · Africa, Oceania & the Americas · The Ancient Americas
The Ancient Americas Olmec jade, Maya painted vessels, Andean textiles and gold, and the ceramics of the peoples of the Americas before 1500, made by civilisations that rose and fell without contact with Europe or Asia.
Walk in The whole museum
On the walls this month Bird ornament — Maya artist(s), 600–800 CE, Shell Original: The Metropolitan Museum of Art, New York Miniature Dress — 12th–13th century, Cotton, feathers Original: The Metropolitan Museum of Art, New York Miniature Dress — Ica artist, 12th–13th century, Cotton, feathers Original: The Metropolitan Museum of Art, New York Plate with the god Chahk — Maya artist(s), 600-800 CE, Ceramic, slip Original: The Metropolitan Museum of Art, New York Ornament in the shape of a mammal — Maya artist(s), 600–800 CE, Spondylus shell Original: The Metropolitan Museum of Art, New York Textile Ornament — 1st century BCE–2nd century CE, Gold (hammered) Original: The Metropolitan Museum of Art, New York Textile ornament — Nasca artist(s), 1–700 CE, Gold Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile ornament — 11th–15th century, Gold Original: The Metropolitan Museum of Art, New York Textile Ornament — 1st century BCE–2nd century CE, Gold (hammered) Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 1st century BCE–2nd century CE, Gold (hammered) Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile Ornament — 1st century BCE–2nd century CE, Gold (hammered) Original: The Metropolitan Museum of Art, New York Textile Ornament — 1st century BCE–2nd century CE, Gold (hammered) Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile ornament — 11th–15th century, Gold Original: The Metropolitan Museum of Art, New York Textile ornament — 11th–15th century, Gold Original: The Metropolitan Museum of Art, New York Textile Ornament — 14th–15th century, Silver Original: The Metropolitan Museum of Art, New York Textile ornament — 11th–15th century, Gold Original: The Metropolitan Museum of Art, New York Panel with Royal Woman — K’in Lakam Chahk, c. 795, limestone Original: The Cleveland Museum of Art Gold Sheet Fragment — 900–1470 CE, Gold Original: The Metropolitan Museum of Art, New York Beaker with Frontal Figures — 900–1100, gold, hammered Original: The Cleveland Museum of Art Gold Sheet Fragment — 900–1470 CE, Gold Original: The Metropolitan Museum of Art, New York Seated female figure — Maya artist(s), 700–800 CE, Ceramic Original: The Metropolitan Museum of Art, New York Medallion, beads, and spindle whorls — 1000–1532 (medallion), bronze, copper, silver Original: The Cleveland Museum of Art Vessel with water bird and hieroglyphic text — Maya artist(s), 600–900 CE, Ceramic, pigment Original: The Metropolitan Museum of Art, New York Plate — c. 800, earthenware with colored slips Original: The Cleveland Museum of Art Architectural Model — 100 BCE–300 CE, serpentine Original: The Cleveland Museum of Art More of Africa, Oceania & the Americas Africa & Oceania — Textiles, ceramics, gold, ivory, and works for the court and the household from across Africa and the Pacific. We show…Where the works come from Every work in the Mouseion is a real piece, out of copyright everywhere, shown from the open collections of the museums that hold it — each label names the original’s museum and links to its page there.
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